Lawrence, Kan. : Kress Foundation Dept. of Art History, University of Kansas, Nelson-Atkins Museum of Art, Kansas City in association with University of Washington Press, c1989. "The papers in this volume were delivered in the Workshop on Chinese Painting, held at the Nelson-Atkins Museum of Art, Kansas City, in November, 1980"--T.p. verso. Includes bibliographical references a...(展开全部)

Review Lucid and comprehensive, Jackson's book elegantly synthesizes several important strands of network science from sociology, physics, mathematics, computer science, and economics. It will be an immensely useful reference for researchers and students alike. (Duncan Watts, Columbia University ) Product Description Networks of relationships help determine the careers that peo...(展开全部)

The fullest general statement of Max Weber's sociological theory to appear in any of his writings, The Theory of Social and Economic Organization is an introduction to Weber's ambitious comparitive study of the sociological and institutional foundations of the modern economic and social order. In this work originally published in German in 1920, Weber discusses the analytical m...(展开全部)

What is Chinese painting? When did it begin? And what are the different associations of this term in China and the West? In Chinese Painting and Its Audiences, which is based on the A. W. Mellon Lectures in the Fine Arts given at the National Gallery of Art, leading art historian Craig Clunas draws from a wealth of artistic masterpieces and lesser-known pictures, some of them d...(展开全部)

Words and Images contains twenty-three essays based on papers presented at an international symposium held at the Metropolitan Museum of Art in May 1985 to celebrate the gifts and promised gifts of Chinese calligraphy and painting from John M. Crawford, Jr. In these essays senior scholars from Asia and America express a wide range of perspectives on an issue that is central to ...(展开全部)

阿方斯·多普施（Alfons Dopsch),1868年6月14日出生于奥地利帝国波西米亚（Bohemia）一个名为罗布西茨（Lobositz）的小镇上，该地区即如今捷克共和国的洛沃西采（Lovosice）。多普施于1886年开始在维也纳大学攻读历史学，后于1890年获得博士学位，并在1898年成为维也纳大学的史学教授。在那里，他一直执教到1937年。1953年，多普施逝世于维也纳。 肖超，1975年生，复旦大学历史系博士生，复旦大学法学院博士后。著有论文《提阿菲罗斯在〈致奥托莱库斯〉中史学阐释理论体系》。

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

阿方斯·多普施（Alfons Dopsch),1868年6月14日出生于奥地利帝国波西米亚（Bohemia）一个名为罗布西茨（Lobositz）的小镇上，该地区即如今捷克共和国的洛沃西采（Lovosice）。多普施于1886年开始在维也纳大学攻读历史学，后于1890年获得博士学位，并在1898年成为维也纳大学的史学教授。在那里，他一直执教到1937年。1953年，多普施逝世于维也纳。 肖超，1975年生，复旦大学历史系博士生，复旦大学法学院博士后。著有论文《提阿菲罗斯在〈致奥托莱库斯〉中史学阐释理论体系》。

喜龙仁（Osvald Siren, 1879—1966），瑞典美术史家，20世纪欧美中国艺术史研究的引路人，首届弗利尔奖章获得者，瑞典斯德哥尔摩大学艺术史教授。喜龙仁起初专攻意大利文艺复兴艺术，后转向中国艺术研究，其研究兴趣无所不包，涉及中国建筑、雕塑、园林、绘画、城市规划等多个领域。他还是欧美多家重要博物馆和多位重要藏家的中国艺术收藏顾问。喜龙仁一生著述极丰，其巅峰之作便是出版于20世纪50年代的《中国绘画：大师和原理》。

Chinese ink painters of the Republican period (1911–1949) creatively engaged with a range of art forms in addition to ink, such as oil painting, drawing, photography, and woodblock prints. They transformed their medium of choice in innovative ways, reinterpreting both its history and its theoretical foundations. Juliane Noth offers a new understanding of these compelling experi...(展开全部)